Manning’s handwriting had an air of being clear without being easily legible; it was large and rather roundish, with a lack of definition about the letters and a disposition to treat the large ones as liberal-minded people nowadays treat opinions, as all amounting to the same thing really—a yearssmoothed boyish rather than an adult hand. " This placard attracted universal attention. Wood—" "That's false!" cried a voice behind him. But in its stead—toward morning—there appeared another idea which appealed to him as sublime, appealed to the primitive conscience, to his artistic sense of the drama, to the poet and the novelist in him. But there was something else; and in his befogged mental state the comparison eluded him.
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