It was locked. He was accompanied by a young man of about seven-and-twenty, who carried his easel, set it in its place, laid the canvass upon it, opened the paint box, took out the brushes and palette, and, in short, paid him the most assiduous attention. The boat was set free, and the men resumed their seats. Then suddenly with a rush came reality, came “growing up”; a hasty imperative appeal for seriousness, for supreme seriousness. Stimulated by the promise of something handsome to drink, the man acquitted himself to admiration in the management of his lazy cattle. By rights I ought to have arrested her days ago. “It is not an easy matter,” he said, “for me to offer you an altogether adequate explanation. Taken altogether, his physiognomy resembled one of those vagabond heads which Murillo delighted to paint, and for which Guzman d'Alfarache, Lazarillo de Tormes, or Estevanillo Gonzalez might have sat:—faces that almost make one in love with roguery, they seem so full of vivacity and enjoyment. To have you is all important.
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