"I suppose he'll be on his feet any day now. I decline to waste a single second even in considering the ugly ones. And immediately afterwards the curtain was drawn aside, and disclosed the Satanic countenance of Jonathan Wild, who had crept into the house unperceived, "I'll tell you, why he can't go back to his master," cried the thief-taker, with a malignant grin. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. The last that is known of Monsieur Charvill is when he departed the Valade estate. Wood lifted up his hands in mute despair. What was this man?" "A detective from the States.
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