His attitude toward her was purely intellectual, free of any sentimentality, utterly selfish. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. “I want to lay all my life at your feet. " "A clever device," replied Jonathan; "but it won't serve your turn. But some little distance behind him, someone had come out from the shadow of the building and, seeing the Frenchman reappear, darted back again as quickly. The signs of tears had all gone, but some subtle change seemed to have stolen into her face.
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