To recreate the era, I deliberately tried to avoid creating a thinly disguised bodice ripper where an “empowered” woman mouthed off to prospective suitors in jerkins and tights, in other words, a typical romance novel. \"Hey, don't be a stranger, Lucy. ‘Take this. “Do you mean, aunt,” she asked, “that my father thought I had gone off—with some man?” “What else COULD he think? Would any one DREAM you would be so mad as to go off alone?” “After—after what had happened the night before?” “Oh, why raise up old scores? If you could see him this morning, his poor face as white as a sheet and all cut about with shaving! He was for coming up by the very first train and looking for you, but I said to him, ‘Wait for the letters,’ and there, sure enough, was yours. Ruth's emotion was a primitive joy: she was essential in this man's life, and she would always be happy because he would always be needing her. You are somebody’s secretary, are you not?” It was plain that the subject was distasteful to her, but Ennison, although famous in a small way for his social tact, did not at once discard it. Mac, she's the honestest human being I ever saw or heard of; and at the same time she is velvet over steel.
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