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“And you brought her a man, I presume. I quickly ingratiated myself to Gianfrancesco, playing on his insecurities, drawing from his need for more and more power. It was her distinctive test of an emotional state, its interference with a kindly normal digestion. “I think,” she said, “that I would rather not have anything to say about that man. People had started filling the hall: instrumentalists, overly conscientious parents. The other photo was a picture from 1926 subtitled Lucia Iovelli where you were holding a violin at a music recital! Then I found another picture of you, but this time it was a painting.
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