Chapter VII MISS PELLISSIER’S SUSPICIONS “Anna!” Anna kissed her sister and nodded to her aunt. At once. While involved in this crowd, near Temple Bar, —where the thoroughfare was most dangerous from the masses of ruin that impeded it,—an individual, whose swarthy features recalled to the carpenter one of his tormentors of the previous night, collared him, and, with bitter imprecations accused him of stealing his child. They sold him the whisky. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Bulging out more in the middle than at the two extremities, it resembled an enormous cask set on its end, —a sort of Heidelberg tun on a large scale,—and this resemblance was increased by the small circular aperture—it hardly deserved to be called a door—pierced, like the bung-hole of a barrell, through the side of the structure, at some distance from the ground, and approached by a flight of wooden steps.
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